Showing posts with label age ratings. Show all posts
Showing posts with label age ratings. Show all posts

Sunday, June 27, 2010

This Film Is Not Yet Rated

This is a fascinating documentary about the American movie ratings process that anyone interested in either film or censorship should watch.

As a European, I have to admit I found several aspects of the movie completely baffling.

Let’s get this one out of the way first. It’s a well-known issue that Europeans are reasonably tolerant of sex in movies, but tend to shy away from extreme violence, whereas Americans will accept almost any degree of violence, but are comparatively puritanical when it comes to sex or bad language (despite having the world’s largest porn industry). As a result, the criteria by which films are rated are completely different to what I’m used to. Movies I think of as suitable only for adults are kids’ movies here, and movies I’ve watched with my kids are deemed shocking and unacceptable because there’s a hint of boobage or some bad language. However, that’s not what struck me this time.

The whole basis of US ratings seems to me to be useless. When we watch movies at home, we usually end up looking at the European ratings to find out whether they’re suitable for our 12 and 15 year old kids.

For the benefit of my fellow non-Americans, the US ratings system goes like this:

  • G: kids of any age can watch this movie
  • PG: kids of any age can watch this movie (but it may contain material some parents may consider inappropriate for pre-teens)
  • PG-13: kids of any age can watch this movie (but some parents may think it’s inappropriate for pre-teens)
  • R: kids of any age can watch this movie (but the cinema may require them to have their parents with them)
  • NC-17: for over-18s only (and probably won’t actually get released or broadcast because the studios and distributors won’t touch it)

In other words, anyone can watch anything unless it’s NC-17. The PG-13 category is so broad that some movies are fine for 10-year olds, others – in my opinion – aren’t really suitable for a 15 year old, and would probably be classified 18 in the UK. Kids change hugely between 11 and 18 as they go from pre-puberty to adulthood, and there’s absolutely no indication in the rating of where on that scale a PG-13 fits.

The thing that feels truly weird is that Americans simply don’t have mass market movies for grown-ups or older kids. In the UK, we’re quite comfortable with the idea of having major movies that you have be to 15 or 18 to see. In America, if the theaters can’t get the 14-16 year olds into the cinema and sell them popcorn, they simply won’t show the movie. As a result, an NC-17 rating is basically the kiss of death for a movie. It relegates it to the status of a porn flick.

The strange side-effect of this is that when film directors are arguing for an R rating rather than an NC-17 rating, what they’re actually demanding is that scenes that we would think are suitable only for adults are actually fine for teenagers or even younger kids. In other words, they’re saying that young kids should be able to watch people being tortured and dismembered in graphic close-up, anally raped, having a drug-fuelled orgy with crucifix-shaped dildos, screwing donkeys, or whatever else they want to include in their story.

They’re not actually saying that, of course. They’re just trying to work with this broken ratings system.

What they’re actually asking for is two different things. First, they want the artistic freedom to make the movie they want to make. Well, they already have that freedom. They can make the movie any way they want, and they have the option of releasing it as NC-17 or unrated. Nobody's stopping them making the movie, as long as they can get the funding for it. That puts them in the exact same position as every other artist.

More importantly, though, they’re fighting for a commercial opportunity for that movie, and that’s where they have the problem. There is no commercial market for NC-17 movies in the US. That’s down to the decision by the studios, distributors and exhibitors not to show NC-17s. Wal-Mart and Blockbuster won’t touch them either. As a result, they have to get that R rating from the MPAA one way or another, or the movie is pretty much dead. So either they have to cut the adult scenes the MPAA doesn't like, or they have to argue that the adult scenes are acceptable to kids.

What the US needs, as far as I can see, is to accept that some movies really aren’t suitable for kids, and that there is a place for adults-only movie entertainment that isn’t porn. It’s perfectly accepted in other areas of the entertainment business. Nobody has a problem with putting on a burlesque show and saying over 18s only. Some art exhibitions, theatrical performances, variety acts and gigs don’t allow minors in. Kids can’t get into bars. There’s absolutely nothing wrong with that, and most Americans are quite comfortable with that policy.

So why do the distributors and exhibitors have such a problem with movies that are unsuitable for minors? An NC-17 movie should be no different to any other form of 18+ entertainment. If they were happy to show NC-17s, there would be less pressure to include increasingly hardcore adult material in R-rated movies, and that, surely, would be more in keeping with their mission to protect kids from unwholesome movies.

Sunday, August 17, 2008

Cambridge Film Fest - nearly ready to roll

We finally managed to agree the final list of what's going into each of the four CFF machinima screenings. And then, last week, the organiser reminded us that we had to give an age rating for each of the 40 movies we're showing, so Saint and I had the unenviable task of going through each one with the BBFC guidelines in hand, counting the number of uses of each swear word, looking for digital breasts, and making judgements about whether these were gratuitous, offensive, or justified in context. Once upon a time I thought that being a BBFC examiner and watching the uncut version of a load of films would be really cool. Now, I'll pass, thank you. You can't take your eyes of the screen for a second or have a momentary daydream, in case you miss something, and after a couple of hours, your eyeballs really start to hurt. And some of the moral judgements you have to make are quite tricky. I'll be interested to see whether people agree with the ratings we gave.

Fortunately we didn't have to judge them for any awards. I spent Monday watching the Dragon*Con machinima selecti0n (which is excellent - well done, Christina!) and picking my top three. It wasn't easy, but I'm satisfied that the right film won in the end. But two full days of watching machinima was a good change of pace. It reminds me why I do what I do - it's not about the business, or the production plans; it's all about the movies. Congrats to everyone who got a movie in to either or both of these shows.

We also got the final proofs of the brochure on Friday, and it's looking good. The machinima stream gets three full-colour pages, no less! Not bad, eh?

As soon as they give me the go-ahead, I'll post the final list up here.